If you're a professional-and your living is dependent on the quality of your work-you should buy the best equipment you can afford.Įveryday displays that cost, say, $75 to $500 aren't really designed for photo editing and design work. Whether you're a professional desktop publisher, photographer, graphic artist, or hobbyist, the quality of your equipment is highly important. This way, when you go to print next, you will know that the color you see on the monitor will match the color on the paper. This can be solved by calibrating your monitor to your printer. The more colors you tack on to your color model, the wider the range of colors (known as the color "gamut") the device can reproduce, and the more difficult it becomes for monitors and printers to output matching colors. Monitors, for instance, combine red, green, and blue (RGB) to display the colors you see, while most printers combine cyan, magenta, yellow, and black (CMYK) to reproduce colors.Īlthough it's important to note that many photo printers may start with the basic CMYK process color model, some, especially professional-grade photo printers, deploy as many as 12 ink colors. In other words, they use different color models to produce the same hues. Why? Well, the simplest answer is that monitors and printers see colors differently. Red fruit on a monitor, for instance, coming out orange, chartreuse, neon, or plastic-looking bright red. Since the early days of desktop publishing, photo editing, and graphic design, professionals, budding professionals, and hobbyists alike have had to deal with color shifts-seeing one color on a monitor but getting different results when the document, photograph, or artwork prints.
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